Showing posts with label Fight or flight. Show all posts
Showing posts with label Fight or flight. Show all posts

Sunday, January 8, 2012

Know Your Opponent - A Who's Who of my Boxing Experiences

After a few weeks of boxing, I still hurt every time I leave the gym. My arms feel like jelly, my entire midsection is as one giant hunk of tenderized meat. But each time I strap on the gloves and start throwing jabs and crosses, I forget about the pain as I learn a little more about this age-old sport.
Not everyone at the gym is swinging for the golden glove (Lord knows I'm not). There are several types of people with whom I have shared a class. Here is a brief cross-section of the a few of the athletes:

Monday, October 3, 2011

Department of Motor Vehicles

Today I went to the Department of Motor Vehicles to renew the registration on my vehicles.
As I walked into the unassuming, fluorescent-lighted office, nestled between an insurance office and a pet store in a generic Midwestern strip mall, I hoped that my experience would be the same - mundane and uneventful.

License and Registration, Sir
But as I walked into the government office, a wave of warm, pungent aroma washed over me. The small gray room was a cauldron of swirling body odors. It did not matter the age, race, gender, or station of the citizen, their smell was represented in my olfactory.

Slowly my nasal passages calloused to the harsh scents and I made my way through the melting pot and to the woman at the front desk. Taking my ticker tape that bore the number "774", I glanced around to take stock of my situation.

The electronic signs above the cubicles read "942", "946", and "947". Judging by the people standing below these neon numerals, those digits may have been indicative of the number of hours they'd been waiting.

Never have I been in such close proximity to so many people who's collective apathy and loathing was directed at a few drab-uniformed government employees. And those employees radiated equal-and-opposite apathy directly back. The tension burned in my sinuses worse than the body odor.

A woman a few seats away from me held a child, who in turn held an iPhone. The child evidently was not happy with the game selection that Apple proffered, and was vocal about this deficiency. Unable to keep the child quiet, she sternly threatened,

"If you don't start acting better, I'm taking you out to the car to sit with grandma."

Aren't there laws against leaving your grandma in a car unattended? I hope she left the windows cracked.

———

A man behind me, in an effort to pass the time, strikes up a conversation with the gentleman next to him. Their words add to the din of the crowd, when suddenly I overhear the man say,

"So do you have a permit to carry a concealed weapon?"

"No, that wouldn't be a good idea. I am an angry person."

The second man proceeds to go into his resume of car thievery and automotive parts trafficking. The conversation meandered through the cacophony of children wailing, phones sounding, and what I can only assume was the wheezing cough of avian bird flu.

The man boasted his conquests of car repossession, ATF cajoling, and dog beating. Judging by the inflection and light-hearted quality of his tone, he truly felt that this was the American dream.

And if that is his dream, I salute the achievement.

———

Finally, after two hours of listening to "Grand-Theft-Stupid" and "Geriatri-buse", my number is called. I land in the cubicle with the excitement of a schoolgirl at recess. Handing the woman my old registration, I chimed, "I need to renew my registration! What information do you need?"

"I'll let you know when I need it."

Ok. Sorry for my attempt to assist.

The curmudgeonous woman began clicking away at her computer, her fingers using all the excitement she could muster. Honestly, to call her a curmudgeon would be kind. She tottered around with an unyieldingly sour face, then handed me a bill with a little sticker on it.

"Are you paying with cash, check, or credit?"

That was the most expensive sticker I have ever bought. But also the most entertaining one.

Tuesday, March 8, 2011

Saturday Night's Alright for Fighting

I almost got into a fight this weekend. I say almost with just a hint of sadness.

To put it more accurately, the fight almost got into me.

On Saturday, Annie and I drove out to Kewanee, Illinois to have dinner and drinks with our friends Brian and Kimi. The town of Kewanee is not more than a blip on the radar, known for a monstrous furniture store that encompasses close to half of the downtown. It also has the only remaining Pabst Blue Ribbon franchised bar in the United States. So when we want something cool to drink, we go to Cerno's.

Walking into Cerno's, there is a frosted filigree with the letters PBR ornately emblazoned on the door of glass and heavy, dark wood. To your left is an old bank tellers booth where, in the early days of its existence, the tavern offered a check cashing service to its thirsty patrons. The floor below is a mosaic of stone squares and fifteen feet above it is a baroque display of tin and dusty chandeliers.

The bar is guarded by massive mahogany pillars, each bearing a carved angel. The cherubim wield trumpets, heralding the cold, refreshing beer that won the blue ribbon at the 1893 Worlds Fair. Back lit logos depicting the Pabst hop leaf remind you of the beer you should be drinking.

Things Were Going So Well

The night was going swimmingly, with vigorous chatter about weddings, school, work, and various other endeavors. Annie and Kimi were on one side of the booth, Brian and I on the other, shouting above the din that enveloped our ears. The bar was not full, but it had a half dozen imbibing patrons.

Brian was recounting a story he'd recently heard of Kurt Cobain's early years when Annie grabbed my arm from across the table.

“Chris. Chris! CHRIS!” Her voice escalated as her eyes widened, looking over my shoulder at some unknown danger. As I turned to see what had riled her, a tornado of women came plowing through the narrow bar, aimed directly at our booth.

The four women were drunkenly attempting to exact vengeance for some undisclosed insult by pulling hair, shoving bodies, and slapping whatever they could make contact with. They bounced through the aisle like a pinball of human destruction, inadvertently dragging others into their fray. By the time the brawl reached our unassuming location, there were four or five other people involved.

As I laid eyes on this mess of arms, hair, and insults, I realized that while these men and women were passionately defending themselves and their loved ones, they were not willing to put down their beverages. This made for a messy component of the quarrel that had found itself to our doorstep. Bottles of domestic beer spewed forth like dark amber volcanoes. Their golden, foamy magma erupted across the tumultuous terrain of the bar, falling to rest on our table, our pizza, and yes, on all of us. Unsure of how to proceed, Brian and I stood there, passively ensuring that no physical presence enter our little corner of the bar.

With the beer bottles emptied on our table, someone decided that the only use left for these glass carafes was for bludgeoning. In a high, overarm swing, we saw a man slam the base of a beer bottle into the back of another man's skull. With such force, I'd imagine that one or the other would have caved, but neither object seemed phased. Another bottle flew through the air, landing at my feet in tiny pieces. Imagining the damage that could be done with the dagger-like shards that remained, I slid the broken pieces under the booth and hoped no one would notice. The storm of drunken emotion seemed stalled in front of our table when the Kewanee police force arrived.

That's Our Cue, Exit Stage Left

Judging by the size of the town, I would argue that the majority of the police officers of the self appointed “Hog Capital of the World” were present. They began breaking up the fight, questioning people, and issuing citations. At that point, we decided to take our leave of our beloved Cerno's.

As we walked out, Brian leaned over and said,

“You always say you want to get into a fight. That was your chance.” A true statement, but I think I made the right choice. There were only a few probable outcomes to me joining that fray, and none looked promising:

  1. I beat up a girl. I look like a jackass who hits women because he can't take on a real man. Some beefcake seeks retribution and I end up dying in the hog capital of the world.
  2. I get my cranium crushed by a bottle of crappy, St. Louis brewed beer. At least if I am going to die at the hands of a beer, I want it to be a good one.
  3. I survive the fray, only to be arrested for disturbing the peace, assault, or improper use of beer bottles. I spend a night in the Kewanee clink, next to a man charged with defacing a giant swine statue.

No matter how you cut it, this was not the fight I wanted to partake in. Not that I can really determine what an ideal fight would look like. I'd probably have ten of my biggest and closest friends with me, and I'd be hiding behind them yelling things like,

“Yeah, kick his ass!”

“Take that, punk!”

“That'll teach you!”

Until that day, I'll continue standing strong, ready to defend my family and friends from assault, but none-to-eager to dive into fisticuffs.

Thursday, January 13, 2011

Drilling Down - What it Means to Be Renaissance Man

"If you want to know how big of a douche you are, Google yourself."


Luke Burbank, of Too beautiful to Live said something to this affect a few weeks ago on an episode of Wait Wait...Don't Tell Me!. I didn't think to write it down, but you get the gist of the statement. Sometimes you don't realize how people see you until you do a little introspection or, internet-spection.


So, In what is potentially a self-serving curiousity, I've been looking up what the phrase Renaissance Man means to the rest of the world. I've got a very specific idea of the concept, but I'm not sure that this definition is shared by the masses out their on the interwebs. This is my attempt to distill the term for the good of all.

Wiki-Pedantics


I was always taught that Wikipedia is an unacceptable source for academic research. That being said, I've found that it is an ideal starting point for basic information. You want to know the average population of Green Bay? How about the entire discography of Wilco? I would recommend you vet the information through other, more reliable sources, but the overarching disdain of Wikipedia among academics does seem to be a bit more hype than reality.


When I plugged Renaissance Man into the Wiki, I got a much shorter answer than I anticipated:
As much as I love Danny DeVito and Star Trek, neither of the latter entries were the answer to my query. The top link, however, was intriguing. So I probed further:


"A polymath (Greek: πολυμαθής, polymathēs, "having learned much")[1] is a person whose expertise spans a significant number of different subject areas. In less formal terms, a polymath (or polymathic person) may simply be someone who is very knowledgeable. Most ancient scientists were polymaths by today's standards."

Entry for Polymath, Wikipedia

This definition also describes my understanding of Renaissance man - A person who knows a great deal about a variety of subjects. But I don't think this explanation fully embodies what I imagine a renaissance man to be. Isn't a renaissance man more than just a thinker? I believe there is more to the story here.

So on to the next modern-day reference point we go.

Stop Googling yourself - You'll Go Blind!

After wading through more Wikipedia entries, Danny DeVito references, and other semi-redundant links about 15th century Italians and Polymaths, I found a couple of perspectives that stood out.

The blog entitled The Rawness has a series called Becoming a Renaissance Man. This seven part series is the authors thoughts on virility and true manhood in the 21st century. As I parsed the message of the series, I noticed an aggressive voice, seemingly shouting

"Grow a pair, men of the world!"

The author speaks to the emasculation of our society, offering life changing tips such as,


I'll admit that this series comes across as terse, combative, and at times even misogynistic. Coupled with other series' on The Rawness, such as The Guide to Becoming the Perfect Woman, The Myth of The Middle-Class Alpha Male Series, this site comes across as down-right offensive at times. But it makes some very valid points. Some of the other tips for Renaissance status include,


Although he claims to be prescribing the elements of a renaissance man, none of these entries explicitly pinpoint what it is to be such a character. They seem to lift up chivalry and an antiquated type of masculinity that I appreciate, but do not fully buy into. the borderline sexism of The Rawness can be a dangerous thing, if read by the naive viewer.

But these entries do touch upon an idea that isn't explored in the polymath description. What appeals to me in The Rawness' perspective is the call to action. The need to be a decisive, forward thinking, self assured character. A renaissance man looks at the world differently. Going with the flow is not in the vocabulary of the such an entity.

The renaissance man is a doer.

Be a Thinker and a Doer

In my mind, a renaissance man is not only a person that has amassed a great wealth of knowledge. They also use that knowledge to make a mark on society. They build things. They create things. A renaissance man is one who observes, collects, and then processes that knowledge to create something new. They are doers. They contribute to society. And that is what is missing from the polymath description.

Combining the two ideas is what I want to do. I thrive on collecting knowledge, and cannot help but apply that knowledge to everything I see. Adapt, transform, and reinvent. Isaac Newton once said,

"If I have seen further than others, it is by standing upon the shoulders of giants."

Merely knowing the giants is not enough. Taking the experiences of others and building upon them to contribute new ideas to the world is the true definition of a renaissance man.

And I'll keep training.


Tuesday, November 23, 2010

Junior McGinniss

I've always thought of myself as German. The name Walljasper comes from a region in Western Germany known as Westphalia. The story that has been told to me is that the Walljaspers came to America in the mid 1800's by way of the port of New Orleans, traveled up the Mississippi and finally landed on what is current day Southeast Iowa. A family of five - mother, father, and three brothers, from which the three clusters of Walljasper that currently reside in the various regions of Eastern Iowa hail.

But this weekend I heard a story of a less prevalent, if not just as spirited ethnicity that flows through my blood. The Irish.

My grandfather, Leroy Joseph Walljasper is the source for our families' Irish lineage. His mother, Maiden name McGinniss, was 100% emerald Isle. While visiting my own homeland (Donnellson, IA), Grandpa, sipping his whiskey, told me a story that reveals an interesting aspect of our family tree. This is a story about Junior McGinniss.

Junior, as my grandfather remembers it, was a man of considerable size. He was a farmer, as most of our family has been, so had a leathery toughness that one gets from long hours and extreme conditions. Junior worked hard, but like his work ethic, Junior knew how to have fun as well.

One of his favorite means of entertainment would be to play guitar at a family owned bar in New London, Iowa – The Farmers Tap. He and a pal named Buddy Jones would play almost every weekend at The Tap, which meant, as a boy in the 1940's, Leroy would be allowed to accompany his parents into town for the evening. The Alamo, a movie theater sat across the street from the tavern, so all the kids would dart across the two lane thoroughfare, pay their 25 cents, and be content for a few hours as they escaped the realities of their prepubescent lives. After the films, they'd return to the The Farmers Tap.

The band would still be rocking when they returned, but the owner let them sit along the wall and watch until the night was over. As grandpa recounts, this could be more entertaining than the features they watched at The Alamo.

They'd watch the people dancing, flirting, and drinking. They'd see their parents, affectionately carousing. And sometimes, they'd see a few folks get a little too lit, get into a disagreement, and then they'd watch as the whole thing dissolved into fisticuffs.

When fights broke out, Junior and Buddy stepped in. They served not only as the entertainment, but also as the security muscle. Grandpa remembers six concrete steps that led up to the front door of The Farmers Tap, and when Junior McGinniss and Buddy got a hold of you, you missed everyone of them as you sailed out the front door and landed squarely on your keister.

By midnight, most of the domestic types had indulged their fill. They paid their tabs, collected their coats and children, and made their way home. For Junior and Buddy however, the night was still young. They'd proceeded an additional twenty five miles through back country roads to Burlington, then across the bridge, into Gulfport, Illinois. Gulfport, to this day, is synonymous with one thing in Southeast Iowa. Strip clubs.

That is where my Grandfathers story ends, but I'm sure that there are many more anecdotes about Junior, Buddy, and all the rest of my Irish forebears.

As I listened to his story unfold, I couldn't help but be drawn into his tale. My grandfather, farmer by trade, has a way of telling a story that catches your attention, makes you lean in close to catch every detail, and lands the punchline at just the right moment, every time. It's something about the cadence of his voice, the word play that is a part of the rural vernacular of Southeast Iowa, or the pure joy that comes from Grandpa as he tells these stories, but I could listen to them for hours. Maybe they're not near as interesting to people who don't know Leroy Walljasper, but I find them as enthralling as any I've ever heard.

My friend Brian Wilcoxon, upon hearing this story, was so inspired that he wrote a song about old Junior McGinniss. In my opinion, it perfectly captures the essence of the story.


Junior McGinniss


Now sit ye' right down
And I’ll tell ye' a tale 
Of young Junior McGinniss 
That I knew so well 
Young men came to hear  
From miles around 
The boy’s sweet guitar 
and its curious sound 

He’d play for the lads
And he’d play for the lasses
At every song’s end 
He’d drink down two glasses 
And toast to the dancers 
Who’d cheer him by name 
And say “Junior McGinniss 
So glad that you came!” 

He’d sing about future
He’d sing about past 
And he’d play on til dawn and the 
Sunday’s first mass 
And the priest during prayer
Would give quite a yawn 
From drinking the dear blood  
Of Christ all night long 

Young Junior he really  
Could be quite a cuss 
A pain in the arse 
He could be when he must 
All the rounders who came in
To spoil his fun  
He’d throw down seven steps 
without touching a-one
When the dancin’ wore down
He’d pull out a jug
Of the good ole white gin
That he made in his tub
And we’d sing him a song
And young Junior’d get down
And go dancin’ and dancin
All over the town
 
Young Junior McGinniss
Is “young Junior” no more
He’s old and he’s grown
And moved on past the shore
But i know that no days
Will no happier be
Than with Junior McGinniss’
Time here with me

Thursday, November 4, 2010

Pee my Pants at Central Lee

“If peeing in your pants is cool, consider me Miles Davis.”

Everyone's peed their pants before right? I'm not talking about diaper clad pant wetting – that's understood. I'm referring to 'old enough to know better', urination in the Levi's, public embarrassment grade leakage. I've had my fair share of societal faux pas, some of which have included public urination, and one in particular has left an indelible mark on my psyche.

In first grade, I was in Mrs. Ekle's class. I remember a few distinct features of that year of my elementary career – Reading A year with Frog and Toad, Andy Peck and I playing with Transformers action figures at recess (that's the original Transformers – none of this Shia Labeouf business), Matt Hobbs contorting himself into yoga positions during our comprehension worksheets, and the beloved afternoon milk breaks.

The milk break was more than just a reprise from academia or a benefit of USDA subsidies to the dairy industry. It was an exercise in civility and control. We lined up, alphabetically, cruelly leaving me to the portion of the line that I'd command for the majority of my career in the Central Lee School system. It seems they were ardent supporters of alphabetic organization, at least in the 90's. This left me taking up the rear my whole stint in Central Lee academia.

On the day which stands out among every other in my first grade experiences, we lined up at the door and, upon reaching relative silence, began our single file trek to the lunch room, where we'd brandish our blue card stock lunch tickets for punching, proceed past the brushed steel coolers until we found the rectangle box of chocolate or white dairy that suited our fancy. Then we'd circle back into the hallway and sit against the wall while we consumes our beverages.

The wall was a free for all. No rules of seating based on last names. No mandates banning free speech, or any speech. It was one of our brief respites from the uber-order that is elementary school life. So we clamored to the mustard yellow wall that stood opposite the cafeteria and attempted to find an open space next to our friends. Fifteen minutes later, as we prepared to deposit our empty cartons in the appropriate waste receptacle, Mrs. Ekle marched before us, obviously furious. In tow was a girl whose full name I honestly cannot recall, but her first name was Mary. She was in tears.

In an egregiously furious tone, Mrs. Ekle brought down the wrath of a mother rhino onto the students before her. As we soon learned, Mary had been ostracized, turned away from the wall by every student she approached. All she wanted was to sit and drink her milk, maybe some small talk. But this had not been afforded her.

I can recall Mary's appearance – ashamedly all to well. Bear in mind the fact that I was not in any way fashionable, popular, or even couth in my elementary days. I do not recount the following memory from the ivory tower of any chic appearance of my own.

Mary was not always the most kempt. She generally had mysterious stains on her obviously second, third, or fourth hand clothing. The odors that exuded her being were not always identifiable, and rarely were they pleasant. Mix this with awkward social conduct and it's clear to see that her classmates, myself included, were not always the most welcoming. I am not at all condoning the behaviors of my first grade self. Kids are mean, and we were probably mean to that girl. I will say that, on this particular day, I was not party to the injustice that befell Mary. I don't know that I would have treated her any differently, but I did not malign her on that occasion.

Upon receiving the brimstone of Mrs. Ekle's disappointment, we all sheepishly stood, resumed our alphabetic chain gang, and shuffled back to the classroom in silence. Our judge, jury, and executioner stood before us and delivered our sentence.

“For the rest of the day, we are all going to work in silence. No one is to utter a word. Take this time to think about the way you treated Mary. Would you like to be left out that way?”

We had about an hour to ruminate on our misdeeds. We pulled out workbooks, drawing paper, and activity pads and commenced the restitution process. About a third of the way through our noiseless trial, the chocolate milk began to make its way through my system and into my underdeveloped bladder.

I raised my hand. Mrs. Ekle, from across the room, shook her head, a somber, silent

“no”.

I sat their for a few more moments, trying to focus on the workbook. Which image was not like the others? I couldn't tell. All I could focus on was the ever growing urge to let loose the torrent of urine that was building. I stood and began to approach the teachers desk. I was stopped in my tracks by the steely glare of a tempestuous tutor. She pointed at my desk, and I returned, growing ever more desperate. I began to dance in my chair. I crossed my legs. That just made it worse. I looked around to see if anyone else could see my panic. I squirmed, vainly attempting to coax the fluid back up into my digestive system. Finally, I could hold it back no longer. The dark stain began to eek through my Ninja Turtles Underoos and make itself evident on my pants. I shrunk into my seat. The other students at the table began to smell that something was amiss. It didn't take long for the entire class to draw the conclusion that I had peed my pants.

As titters and murmurs began to break out across the silent classroom, Mrs. Ekle stood up to reprimand the cacophonous children. As she strolled about the room, she too caught the acrimonious scent of urine on her palate. She found me doggedly close to the underside of my work table, and sent me to the nurses office to get cleaned up.

Leaping from my chair, I walked with such a hurried pace that it bordered running. With the chance of being stopped for excessive sprinting, I slowed down to a loping walk. I reached the nurses office, explained my accident, and was told to STAND where I was while the nurse found some replacement garments. She disappeared into the bathroom and returned with two items. Handing them to me, she callously said,

'These are the smallest ones I got. They'll have to do. Use the towels in the bathroom to pat yourself dry.”

As I locked the bathroom door, my eyes fell on the brown sandpaper that hung from a dispenser beside the sink. It wasn't inviting in the slightest, but compared to the clammy feeling I was currently experiencing, it was a step up. I disrobed from the navel down, cleaned up as best I could, and slid the oversized, dingy pair of white underoos onto my tiny frame. I then hoisted up a pair of stonewashed jeans that had to be made for a 5th grade girl. Clutching the baggy waistband to my nipples, I poked my head out of the bathroom,

“What do you want me to do with my...old clothes?”

I was handed a paper grocery sack and with an ill fitting belt strapping the gigantic pants to my torso, I soon was on my way back to my first grade classroom, pee pants in tow. I rebuffed the piteous looks and sneers as best as possible, sighed a monumental sigh of relief upon hearing the final bell, and raced to the bus.

The walk home from the bus stop was one of both dejection and relief. The paper sack hung at my side like a bag of cement, the weight of my shameful urine pulling my arm down and causing my chin to rest on my chest. I dared not make eye contact with the cars that drove by – everyone surely knew what that bag signified. I reached our back door, collapsed into the house and tore away any reminders of that awful incident.

In retrospect, this catastrophic event of my elementary school tenure seems comedic. But somewhere in my soul, the events of that day still shame me. I doubt that anyone else remembers the day I peed my pants in Mrs. Ekle's first grade class, but if they do, I hope they don't hold it against me.

The trials we face as children shape who we are today. How we react to those trials shape how we view the rest of the world.

All names used in this essay are used for comedic purposes only. I mean no defamation and harbor no ill feelings to anyone for the events that occurred. I hope you enjoy my self deprecation as much as I enjoy sharing it!

Sunday, October 31, 2010

The Only Thing to Fear...


Annie and I helped pass out candy at a friends house this Halloween. This family has one of the most elaborate front yard horror displays of any I've seen. A graveyard with an unearthed coffin, a butcher shop resplendent with various dismembered appendages, A body hanging from a noose that, when activated, will jerk and kick for its lack of life. It is thorough, to say the least. I agreed to play a part in their terror filled production, along with a few of their other friends. One man was the butcher, carving up arms, legs, and heads. There were people portraying all the horror favorites – Jason, Freddie Krueger, and Michael Myers. I was given a generic goblin mask and told to mill about, jumping out when candy grabbers passed my way. I begrudgingly tried this for a while, but after feeling very awkward and completely not scary, I eventually opted for a more subtle approach. I sat myself down against a hay bale and did my best dummy impersonation. Sitting as motionless as possible, I waited for a group of ghouls to pass my way, then I slowly turned my head, following them with my rubbery eyes. I didn't make a sound. I didn't move any other muscle. I just watched. What I saw was very interesting.

Pre-teens resembling rejects from the Insane Clown Posse came up to the display and shouted,

“Hey! Gimme some candy!”

Sitting next to the candy cauldron, I turned to the terse carnies and clarified,

“Excuse me? What did you just say?”

“You heard me. Gimme some candy man!”

I was having some trouble wrapping my brain around the brazenness of the young mans demand. I pushed him for a more appropriate request,

“I would argue that you've known what to say in this situation since you were old enough to form full sentences. You make the proper request, and I'll give you some candy. That's the way it works.”

The punk shifted his weight, obviously annoyed. He finally muttered those three key words, and I graced him with a packet of sweet tarts and a sucker. As he swaggered down the driveway, I contemplated chucking a jawbreaker at the upstarts head. Maybe the candy would live up to its name. I restrained myself.

A little later, A man bedecked in a white dress shirt, tall socks and a kilt came by with his son who, in a miniature ninja suit, could not have been over two years old. They stopped at the bottom of the driveway and the dad gave his son a nudge toward the house. The karate kid took one look at the labyrinth of horror that lay between him and the candy at the top of the hill and became petrified. At first, he simply turned and began to move on to the next house. When his father insisted he make this trek, alone, he began a more adamant denial. As he begged his dad to let him pass this house by, the father finally proposed a compromise – they would go up together. The virile Scotsman took his sons hand and began the ascent. But the son was not interested, even with his father at his side. He dug his heels into the driveway and began wailing his disapproval. That is when I grabbed some candy and started down the driveway. My intent was to give this poor child the candy he deserved after all the trepidation he was experiencing. As I approached, his face turned from discomfort to sheer terror. Realizing my misstep, I quickly removed my mask and crouched down to assure him that there was nothing for him to fear. I gave him the chocolate peace offering and bid the nervous ninja farewell.

A while later, a mother and her daughter came by. The girl was dressed as a nondescript witch, and the woman was masquerading as a worn out mother. This child was probably around eight years old, and at the sight of the butcher shop, she was very nervous. When Freddie stepped out of the shadows, she jumped and clung to her mothers leg. But she successfully reached the candy cauldron, treated, and began her way back down the driveway. She was still uneasy as she navigated the frights, but when her mother commented on the scariness of the house, the little girl just turned to her mother and reassured her,

“It's not REAL, Mom!”

After the trick-or-treating was over, we all went inside for an amazing smorgasbord of chili, cornbread, pumpkin seeds, popcorn, and cake. The inside of the house was almost as meticulously decorated as the front yard. Garlands, little Halloween cityscapes, candles, and rubber bats. In the corner was an old witch in a rocking chair which, if you got too close, would start rocking on its own. The witch would cackle, her eyes would glow, and finally her head would lift up from her shoulders. One of our friends' brothers was at the party with his two eighteen month old twins. These two children were incredibly inquisitive, unafraid to talk to any of the other party goers, and as rambunctious as can be. Toward the end of the night, the father decided he should get a picture of the two children on the lap of the hideous animatronic witch. As he sat the little boy on her lap, the child began wailing and squirming for his life. He gave up on his son and attempted to get the little girl into the witches maws. Same result. They quickly retired the photo opportunity and released the children back into the fray of the other kids. Watching this exchange left me with some thoughts.

Are we afraid of goblins and ghouls from inception? Is there something inherently scary about the mask that Michael Myers wears, or the Freddie Krueger ensemble? Why were the twins so afraid of the witch? At less than two years of age, had they been exposed to enough to identify a witch, let alone correlate one with fear? When does a child learn to step back and separate the fiction from the fact, and say,

“It's not REAL, Mom!”

And when is it fair to expect your child to strike out on their own and face their fears? When can we expect a healthy amount of rationale to guide us through life? I would argue that it never fully works for some, afraid to face any amount of uncertainty or risk. And for others, the fear reaction is still dormant, causing uninhibited carousing and risk taking, almost to a fault. I think that the majority of us fall somewhere in between. Hopefully we can help guide the next generations through the labyrinths of their own fears, shaping them into cautious, yet bold individuals.

Thursday, October 28, 2010

The Ballad of Three Chilean Hearts


This song was born out of a story I heard during coverage of the Chilean mining incident earlier this year. Upon hearing of the mine collapse, locals came in droves to hold vigil for their trapped countrymen. Friends, co-workers, children, wives, and even mistresses. That is where the story gets interesting.
Miner Celebrating Rescue
One of the miners had both a bride and a mistress, and the subterranean catastrophe brought them together in a way no one had anticipated. I can only imagine the conversation they must have had while waiting for their shared love to return. That is where the song picks up.


The Ballad of Three Chilean Hearts


I came to work today like any other day
Digging coal to earn my bread, turning dirt into my pay
But then the walls came crashing down
Trapping me a mile under ground
Tell me wife I'm doing fine
Stuck down here in this mine
Send food and send some wine
Until then I'll bide my time

I lay these flowers down for my man underground
Our lady pray for us, bring him home safe and sound
Oh god bring my husband back to me
Back to the surface where he's s'posed to be
Tell my husband that I'm here
Tell him there's nothing to fear
I will hold this vigil dear
I will not leave till he's appeared

My love so soft and sweet again when shall we meet
I miss your loving touch In that soft and sweet retreat
My darling soon I'll be above
Hold on tight and do not fret my dove
The darkness of this cave
The secret love we made
Your scarlet passion of saves
Gives me strength and keeps me brave

I heard the new's today my lovers trapped down there
In mourning I will wait until he's in my care
Who are you waiting for my dear
Why does that picture look familiar
My man's been at your door
Senorita tell me more
although you are a whore
Right now I hate him more

Show me the light of day endlessly I fervent pray
Unite me with the one I love and above ground I'll always stay
Is that the rescue team up there
Tell my flower God will soon answer her prayer
As we ascend this hell
My good fortune will tell
Dios me you've served me well
I avoid the death toll bell

Upon the blinding light here I meet a frightening sight
One I'm wed and one I might on a desperate lust filled night
Never were the twain supposed to meet
Suddenly the cavern seems a sweet retreat
Both of you I can explain
No need to be profane
Oh god they wish me pain
Deliver me just once again

Feel free to share your thoughts, comments, and suggestions. Please realize that this is an extremely rough cut of this piece – an early draft. stay tuned for harmonization, as well as the possible addition of some accordion accompaniment.
 

Tuesday, October 19, 2010

Pistols to Plowshares


I was listening to an excessive amount of William Elliot Whitmore a few weeks back. Whitmore always gets me feeling reminiscent for home and a more agrarian life in southeast Iowa. Now my childhood in Donnellson, Iowa was no where near a country life. Residing in a town of 946, resplendent with baseball fields, a city park, and a public pool, I was seen as a soft city kid. I didn't raise animals, save the cats and dogs we kept as pets. I didn't learn to operate heavy machinery until I was in high school. I didn't hunt, ride four wheelers, or drink Busch Light at the age of 14.

My home town
But compared to the students I met in college from Chicago and St. Louis, or the thespians and artists I work with in Davenport, I am as country as an ear of corn. The handful of years I spent on my grandparents farms has made me a certifiable agricultural specialist in the circles I run. That and a healthy dose of bull shit.


So I was driving home from work, listening to NPR (that's the city boy in me), when I heard a sponsorship PSA for an organization called Plowshares institute. The name is derived from a scripture in the book of Isaiah,

“They will beat their swords into plowshares and their spears into pruning hooks. Nation will not take up sword against nation, nor will they train for war anymore.”


As I mulled over the idea of Swords into Plowshares, I attempted to update the metaphor.

Plant the Piece

Bombs into plowshares
Guns into plowshares
Pistols into plowshares

That had a great ring to it. As I rolled the words around my brain, a story began to develop. A Jesse James style tale of misdeed and a fight for survival for a young country boy. A little dramatic, maybe, but perfectly in style with the over-the-top affectations of the early westerns by John Wayne, Gary Cooper, and Errol Flynn. From that story, this song arose. Here it is.




Pistols to Plowshares

I was born in the dust bowl, in the fall of '21
Grew up corn and cattle, my old man, and his shot gun
Saw my pa gunned down in cold blood over debts we could not pay
I took everything that meant anything to my pa and I rode away

Trailed him home that night, on my dads horse with his shot gun
Buried two shots in that bankers back, and in the dead of night I run
15 year old fugitive, I gunned my way cross the midwest
Lookin for some answers, praying for some rest

Now I been running longer than I've been sitting down
looking over my shoulder, so I don't end up in the ground
And all I want is a plot of land, a place to lay my head
Turn these pistols into plowshares, find some peace before I'm dead

I met a girl in Iowa, on the day I turned 16.
Took her out a dancing, I sure did find her keen.
But some ol' rounder cut in on us, he'd seen my face and the word reward
Lit up that ol' dance floor, left my lover on the floor.

Now I been running longer than I've been sitting down
looking over my shoulder, so I don't end up in the ground
And all I want is a plot of land, a place to lay my head
Turn these pistols into plowshares, find some peace before I'm dead

My old man never taught me much before he left this earth
The value of a good mans word, what a hard days work is worth
The only thing he didn't teach is how its bigger to forgive
If he had I wouldn't be here now just struggling to live.

Now I been running longer than I've been sitting down
looking over my shoulder, so I don't end up in the ground
And all I want is a plot of land, a place to lay my head
Turn these pistols into plowshares, find some peace before I'm dead

As always, post any thoughts, comments, additions, etc.


Thanks for listening! See you next week.

Friday, October 8, 2010

The Fight or Flight Dichotomy


I am not a violent man. I have to say that, if confronted with a physical altercation, My first impulse would be to run for my life. It's a survival instinct. I've always been skinny and unassuming, so it seems like the logical choice. But in recent years, an alternative impetus has begun to emerge.

I almost came to blows with a large man in an F-350 extended cab today. He tried to turn in front of me as I was passing through an already precarious intersection, and almost decimated my wife's Prius. Having already had a stress filled day, I'd had enough. As he screeched to a halt across the nose of my hybrid, I laid on my horn and shook my fist while my wife gestured irreverently. From the navy blue cab emerged a huge black man. His head was shaved, his face contorted into a menacing grimace, and his t-shirt could hardly contain the overflow of muscles packed into his arms. He loomed over the roof of the pickup with a scowl that could have bore a hole in my forehead. The behemoth began his march around the bed of the truck, towards my Toyota, and everything slowed to a crawl as I began to assess the situation. I was so livid that this man dare cut me off, let alone think he had the right of way. My initial reaction was to reach for my seat belt, go toe to toe with this linebacker of a man, and explain to him the traffic laws of our great state. He would see that he's fucked with the wrong skinny white dude today, and he'd get back in his truck and drive away.

Instead, as the surly giant lumbered out of his vehicle, Annie broke me from my paralysis with a commanding,

“Chris? Drive. NOW!”

With that, I snapped out of my daydream of virility and laid on the accelerator, getting as far away from that meathead as I could. My rational pacifism had returned to save my neck again. But will this sense of chivalry and physicality return again?

It seems that in the past five years or so, there has been an almost carnal impulse to defend, confront, and retaliate using force. In the past, I'd never consider it, as my self-esteem was fairly low, and my ability to envision a fist fight that didn't result in my bloody remains on the sidewalk was nonexistent.

When I was in the seventh grade, I played soccer. Our team was good, as middle school soccer teams go. We even won the district championship that year. But practices were rough. One teammate in particular made it his goal to push, poke, prod, and provoke me to the breaking point. And one day, while waiting in line for a drill, he succeeded.

He'd been punching me in the arm, repetitively, for about ten minutes. Small, consistent blows to the same spot on my dilapidated deltoid. Finally, I couldn't take it any more, and I pushed him away. I swung back my arm, my hand balled up in a little round clump of fingers and knuckles, loosely organized into a fist and let loose the hardest, most devastating blow possible. It landed on the bully's shoulder, then bounced to a rest at my side. I checked to see the result of my fury, and found only mirth and condescension. More out of shame than the physical pain he had inflicted, I began to tear up, so I ran to the locker room to avoid any further torture.

That incident had a lasting impression on my fight or flight instincts. Maybe it is the film industry that makes me feel that I've slacked in my ass kicking duties as a man in this country. Maybe, as I grow more comfortable with who I am, I will continue to stop people from pushing me around.

Whatever the reason, I've found myself appealing to fisticuffs other times as well. There was a time when my cousin and I went to a local bar in the Quad Cities to get a beer and watch a band we'd heard about. We got there and Adam went to the bar to get some drinks. After a while, he returned irritated, no drinks in hand. Without an ID, it seemed, the bar tender was unwilling to chance serving alcohol to a minor.

I then went up and got a beer. They eyed me suspiciously, as they'd seen me with Adam. After a few moments of enjoying the music and conversation, Adam got up in a huff, irritated by something.

“This is bullshit. I'll be right back.”

I watched him approach the end of the bar and begin what appeared to be a heated conversation with the bartender. Soon two gigantic men entered the discourse, at the behest of the server. It looked as if they were about to forcibly remove my cousin from the premises. That is when I realized that I had a filial duty to become involved and protect my family. As I approached the discussion, my mind went to the movies, where one person gets into a fight at a bar, and his friends are obligated to jump into the fray and bail him out. I came to the meeting with my nerves steeled, anticipating the worst. I stepped into the circle and asked Adam, in a tone that made it evident I was here for support,

“Is everything alright here?”

Adam then explained to me these gentlemen had been giving him threatening looks from across the bar, and that he would not stand for being treated in such a reproachful manner. He demanded they leave him alone. It needs to be said that my cousin is a bit more tempestuous than I, and does not have a problem flaring up in the heat of the moment. While I cannot attest to the validity of his argument that night, and I did not relish the idea of getting my face turned into ground hamburger, part of me was ready to step into the fray and offer a valiant attempt at coming to my friends defense.

Luckily the conversation calmed down, and we left the bar unscathed. But this is one more incident that leads me to wonder if I am somehow hardwired to a visceral desire for expressing this physical dominance. The feeling is by no means pervasive, but it does seem to flourish in times of extreme adrenaline rush. Is this brought on by something inherent, or is it something that is merely a product of the media, my learned response to “what a man should do when faced with a conflict”?

I am no more physically capable of defending myself in a brawl than I was in the seventh grade, save being a few feet taller. But maybe my change in self awareness and perception of the world over the past decade has given me this new aggression towards those who've caused me injustice. I don't know if I'll ever use it, but knowing it's there, somewhere in my core, is comforting.

So don't think you can push around us scrawny little white guys. We may look nerdy, but who knows what kind of fight we have inside.

Friday, May 28, 2010

I've never ridden in a Cadillac

Listen to it as a Podcast!


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 I'm going to start taking select essays and developing them as podcasts. Stay tuned for more radio versions of my laughable tales of oddity and self deprecation.

It was one of those winters that you'll never forget. One of the first winters I spent in Davenport, so one that will stick with me forever, branding Davenport Iowa as a city that has horrible, icy winters. In reality, the 3 years that I spent in davenport had fairly mild winters, but this was the first, so this was the one that had a lasting impression.


This winter was not bad because of the amount of snow. It was not even bad because of the temperature, which was frigid. The prevailing aspect of this winter that, to this day brings dread to my heart, was the ice. There were multiple ice storms and intermittent warm spells that would melt and refreeze, leaving ice as much 12 inches deep in some streets. The cars would drive through and create ruts in the ice, forming inevitable tracks through the streets that would lead your car, as if beyond your control, where the last car had gone.


It was on a particularly frosty morning that I came across Rita. Rita was a leathery woman with a scowl that shown through the most toothy grin. Her hair was a frazzled yellow gray mane that refused to be tamed by brush or hat, even in this arctic clime. Rita was known around the neighborhood as being crazy.


The story goes that Rita used to be a flight attendant. She would travel the country with her job, and was very good at what she did. But one day, the flight she was on didn't reach its destination. The pilot crash landed the plane, and while no one died, Rita was diagnosed with post traumatic stress syndrome. This affliction has manifested itself in many ways.


That cold winter morning, Rita's illness appeared in an interesting way. As I was driving to work, I noticed Rita on the street. She was wearing a sundress, a raincoat, and sandals. No winter coat, no sensible shoes, no hat. She didn't look miserable, but I could not fathom how she could be anything but hypothermic. So I pulled up along side Rita and asked if she needed a ride.


“Oh sure! I'm headin' to down to 3rd and Iowa Street.”


Her voice was vaguely southern in dialect, with a whimsical quality that could only be described as Blanche DuBois after smoking cheap cigars and drinking a fifth of whiskey. A lovely singsong cadence on an instrument that had long given out and only worked in screeches and rasps.


As we exited the parking lot and jostled over the uneven ice, Rita let out what I can only describe as a cackle – an unbridled giggle that, in another body, could be contagious, but coming from Rita, it was simply eerie.


“Are you a St. Ambrose Student?” She asked with a half grin.


I replied “No, I graduated from Monmouth College, last year.”


“Oh, Monmouth! I had a girl friend who went to Monmouth... She had a boy down there... I never went to Monmouth, but I visited... They were such beautiful people. I loved watching all the beautiful people...” her sentence trailed off as her eyes glazed and stared out the window.


At this point her eyes caught a panel on the door. My 2004 Toyota Corolla was equipped with automatic windows that were controlled from a faux wood panel on the arm rest. Stroking the poor mans mahogany accent, Rita mused, “I never thought I'd ride in a Cadillac...”


Unsure of what to say, I sat quietly, focusing on navigating the icy side streets. Rita's gaze floated from me to the wood on the door to a point in the distance. Under her breath she mused, “To dream the impossible...”


“DREAM!” I thought. The tension of here unpredictability was unnerving. Rita had always made me uneasy, but I was beginning to regret offering her a ride.


Luckily we we're nearing the place where I was to drop her off. Still a few blocks away, she turned to me and asked “Well, do you have any...Last requests?” then let out another cackle, solidifying the feeling of dread.


I couldn't tell if she thought she was a lounge singer or an executioner, but her instability was not something I wanted to test. I quickly found a space along the side walk and put the car in park. She sidled out of the vehicle with surprising fluidity and grace. As she wandered away from me and towards the warehouse on the corner, she turned and gave me one final toothy grin and a wiggle of her fingers, then laughed as she turned the corner.