Containing Houdini

On the way in to work this morning, I heard a report on WBEZ about Harry Houdini's great nephew. The great illusionist died of complications of a burst appendix eighty-five years ago today.

Anyone who leads as eclectic and fascinating a life as Ehrich Weiss (Houdini's given name) did deserves a closer look. So I did some digging, and found out some fascinating tidbits about this early twentieth-century magician.

All Hallows Eve - A Playlist to Chill You

This is not your traditional Halloween playlist. This is my off-beat, indie-influenced, thought-provoking list of music that I love to listen to during the Hallow's Eve festivities. Some of these are down-right chilling. Some are fun and whimsical at first listen, but upon hearing the lyrics, you'll realize they are sinister and horrible. Some are perfectly harmless when taken out of context, but unnerving once you understand where they come from.

I would like to thank all the folks who submitted suggestions on facebook for this entry. There were many suggestions that fit the criteria, but I had to trim it down. Because of this, I disqualified anything that was purely instrumental, or sung in a foreign language (sorry Mark). I also trimmed out any hardcore metal or screamer music, because it is generally more annoying than scary (Sorry Rob Zombie). What I came up with is simply my picks - not the ultimate list.

Feel free to suggest other songs - I'll add them into the lineup, or save them for next year!

The Only Thing to Fear...

Annie and I helped pass out candy at a friends house this Halloween. This family has one of the most elaborate front yard horror displays of any I've seen. A graveyard with an unearthed coffin, a butcher shop resplendent with various dismembered appendages, A body hanging from a noose that, when activated, will jerk and kick for its lack of life. It is thorough, to say the least. I agreed to play a part in their terror filled production, along with a few of their other friends. One man was the butcher, carving up arms, legs, and heads. There were people portraying all the horror favorites – Jason, Freddie Krueger, and Michael Myers. I was given a generic goblin mask and told to mill about, jumping out when candy grabbers passed my way. I begrudgingly tried this for a while, but after feeling very awkward and completely not scary, I eventually opted for a more subtle approach. I sat myself down against a hay bale and did my best dummy impersonation. Sitting as motionless as possible, I waited for a group of ghouls to pass my way, then I slowly turned my head, following them with my rubbery eyes. I didn't make a sound. I didn't move any other muscle. I just watched. What I saw was very interesting.

Pre-teens resembling rejects from the Insane Clown Posse came up to the display and shouted,

“Hey! Gimme some candy!”

Sitting next to the candy cauldron, I turned to the terse carnies and clarified,

“Excuse me? What did you just say?”

“You heard me. Gimme some candy man!”

I was having some trouble wrapping my brain around the brazenness of the young mans demand. I pushed him for a more appropriate request,

“I would argue that you've known what to say in this situation since you were old enough to form full sentences. You make the proper request, and I'll give you some candy. That's the way it works.”

The punk shifted his weight, obviously annoyed. He finally muttered those three key words, and I graced him with a packet of sweet tarts and a sucker. As he swaggered down the driveway, I contemplated chucking a jawbreaker at the upstarts head. Maybe the candy would live up to its name. I restrained myself.

A little later, A man bedecked in a white dress shirt, tall socks and a kilt came by with his son who, in a miniature ninja suit, could not have been over two years old. They stopped at the bottom of the driveway and the dad gave his son a nudge toward the house. The karate kid took one look at the labyrinth of horror that lay between him and the candy at the top of the hill and became petrified. At first, he simply turned and began to move on to the next house. When his father insisted he make this trek, alone, he began a more adamant denial. As he begged his dad to let him pass this house by, the father finally proposed a compromise – they would go up together. The virile Scotsman took his sons hand and began the ascent. But the son was not interested, even with his father at his side. He dug his heels into the driveway and began wailing his disapproval. That is when I grabbed some candy and started down the driveway. My intent was to give this poor child the candy he deserved after all the trepidation he was experiencing. As I approached, his face turned from discomfort to sheer terror. Realizing my misstep, I quickly removed my mask and crouched down to assure him that there was nothing for him to fear. I gave him the chocolate peace offering and bid the nervous ninja farewell.

A while later, a mother and her daughter came by. The girl was dressed as a nondescript witch, and the woman was masquerading as a worn out mother. This child was probably around eight years old, and at the sight of the butcher shop, she was very nervous. When Freddie stepped out of the shadows, she jumped and clung to her mothers leg. But she successfully reached the candy cauldron, treated, and began her way back down the driveway. She was still uneasy as she navigated the frights, but when her mother commented on the scariness of the house, the little girl just turned to her mother and reassured her,

“It's not REAL, Mom!”

After the trick-or-treating was over, we all went inside for an amazing smorgasbord of chili, cornbread, pumpkin seeds, popcorn, and cake. The inside of the house was almost as meticulously decorated as the front yard. Garlands, little Halloween cityscapes, candles, and rubber bats. In the corner was an old witch in a rocking chair which, if you got too close, would start rocking on its own. The witch would cackle, her eyes would glow, and finally her head would lift up from her shoulders. One of our friends' brothers was at the party with his two eighteen month old twins. These two children were incredibly inquisitive, unafraid to talk to any of the other party goers, and as rambunctious as can be. Toward the end of the night, the father decided he should get a picture of the two children on the lap of the hideous animatronic witch. As he sat the little boy on her lap, the child began wailing and squirming for his life. He gave up on his son and attempted to get the little girl into the witches maws. Same result. They quickly retired the photo opportunity and released the children back into the fray of the other kids. Watching this exchange left me with some thoughts.

Are we afraid of goblins and ghouls from inception? Is there something inherently scary about the mask that Michael Myers wears, or the Freddie Krueger ensemble? Why were the twins so afraid of the witch? At less than two years of age, had they been exposed to enough to identify a witch, let alone correlate one with fear? When does a child learn to step back and separate the fiction from the fact, and say,

“It's not REAL, Mom!”

And when is it fair to expect your child to strike out on their own and face their fears? When can we expect a healthy amount of rationale to guide us through life? I would argue that it never fully works for some, afraid to face any amount of uncertainty or risk. And for others, the fear reaction is still dormant, causing uninhibited carousing and risk taking, almost to a fault. I think that the majority of us fall somewhere in between. Hopefully we can help guide the next generations through the labyrinths of their own fears, shaping them into cautious, yet bold individuals.

Pumpkin of Shame

I would like to think that I've always been an ingenuous person. Chalk it up to my time in the Boy Scouts of America, my agrarian heritage, or my tenure in Future Problem Solvers (yes, that is a real program in American schools). I've always looked at problems with a technical eye, and known that there is a solution out there, one that I alone could remedy. This drive for ardent individualism has not always resulted in the most flattering of outcomes.

One October, at an age when I was probably old enough to know better, I decided that I was going to make my own costume for the Halloween season. I don't know why, but I chose to don the visage of one of the holidays' most iconic items – the pumpkin.

It would make sense that any normal child would call upon their parents to help them fashion the costume of their fancy, but not me. I built my costume in the basement, refusing my mother entry into my workshop. I began simply – with a cardboard box. Cutting asymmetrical ellipses into the appropriate faces, I created holes to extrude my appendages and create the main element of my costume. The next step was to decorate it.

I found some pale orange paint that looked to be at least a decade old, a sickly sherbet, and began slapping it onto the box. Emptying the bucket with only 2/3 of the box coated, I was forced to find an alternative source of orange to complete my task. I could have asked for a trip to the hardware store to acquire more paint, but in my attempt to keep this craft project secret, I opted for another solution. I pulled out my trusty Crayola markers, located the orange and went to work. While this seemed like a great option at the time, in retrospect, it makes me blush, even now. The shipping info from the box was still evident under the valencia scribbles, making it look as if I was on my way to FedEx. But this slight imperfection did not phase me. I pulled the black marker from its sheath and added the necessary accents to my creation – vertical stripes, and of course, the appropriate triangles and jagged lines to denote the tell tale jack-o-lantern face.

To cap off my creation, I took a smaller box, lopped off the bottom, magic marker-ed it green, and slapped it on my head. Suiting up in a blaze orange sweatshirt and viridian sweatpants, my costume was complete. I, the cubist pumpkin, was ready for the world! Picasso would be proud.

I cannot imagine my mothers internal reaction to the bizarre attire I'd created, but to her credit, she was supportive of my choice to wear homeless housing as a Halloween habit, and sent me off to my first public engagement – a Halloween dance at the Argyle school gym.

Argyle is a small town that feeds into the same community school as Donnellson. The population of this meager metropolis is well under that of even Donnellson's one thousand citizens, and that includes the farms that fall within the surrounded area. Argyle didn't have much - a gas station, a post office, and a handful of side streets. The one thing that Argyle did have was a little league baseball association that put on the best dances in the county, every month at the old Argyle high school. What was so great about these dances is that they were open to elementary students - 4^th grade through 8^th grade. They were amazingly well attended, with hundreds of students at each dance. And the Halloween dance was one of the most anticipated events of the year.

I entered the dance that night with a bit of trepidation. I was not self conscious, only excited to see my friends, as well as those popular students I wanted so badly to be my friends, and to finally get a non-familial reaction to my cardboard creation.

I was met with a myriad of reactions. The woman who was taking coats and money at the door reviewed my costume with a raised eyebrow, smiled and let me pass without a word. Once I entered the fog filled gym, I fumbled my way to the corner where my friends normally congregated. Along the way I got reactions ranging from laughs and smirks to glares and outright looks of disdain. I brushed them aside and found my friends. That is when I heard,

“What are you wearing?”

“Is that a joke?”

“Ummm...Nice costume?”

As I looked around at the store bought monsters, superheroes, and ghouls, I realized that I was a different sort of frightening. I came dressed as the embarrassing friend in the cardboard box. The comments and looks I'd gotten as I confidently strode across that gym floor suddenly came flooding back, and everyone seemed to be staring straight at me. I was mortified. Desperate to avoid any further scrutiny, I bounced my boxy self back across the crowded room, seeking asylum in the concessions area. While there were fewer of my classmates in this room, the concessions area was tiny, so it seemed even more packed, and the florescent lights focused every detail of my shoddy craftsmanship into stark clarity. At this point, I just wanted to contract my head into my box and turtle my way out of this situation. But my mom wouldn't be back for another two hours – an eternity in elementary time. I determined that the only option was to scrap the carapace of my crappy costume and try to ride out the rest of the dance in my sweatpants. Not flattering by any means, but at least I'd be inconspicuous. It was much easier to shrink into the shadows when your silhouette was not so geometric. Or three foot wide. I rushed to the coat check lady,

“I need to store my...box. With the coats?”

The lady seemed confused. She studied me a moment, then asked,

“Why would you want to do that? The costume contest is in an hour. You have to have a costume to win the prizes! Go back and dance with your little friends!”

I balked. I didn't give a scratch 'n' sniff sticker about her stupid contest. I knew I wasn't going to win squat in this box. I had to think fast to convince this PTA dropout that I had to remove the dreaded pumpkin from vision before it sabotaged the rest of my elementary school career.

“It's just really hot in there...and crowded. I don't want to ruin it before trick-or-treating tomorrow night! Can I please put my boxes in the coat check? PLEASE?”

It may have been exasperation. It may have been pity. Whatever her reason, the woman begrudgingly took my cubist costume and shoved it into the coat room. For good measure, I hollered,

“Careful with that. It's...expensive!”

Then I rejoined my friends. They seemed relieved that I'd ditched the vegetable garb, although I doubt that my pumpkin really degraded any of our chances of making contact with the feminine gender that night. I spent the rest of the night trying to convince people that I was dressed as Pete Stoyanovich, kicker for the Miami Dolphins.

After what seemed like days, my mother arrived and I was relieved of the shame of that dance. When asked why I wasn't wearing the costume I'd worked so hard on, I could only reply,

“Um...I didn't feel like it.”

The next evening was even more difficult than the dance. I knew how people would react when they saw me in the box – the same way those kids had reacted at the dance. That self awareness was brutal. But it was the day of trick-or-treating. There was no time to call an audible on the costume now. And how would I explain it to my mother – that the costume I'd worked so hard on was a scarlet letter, publicly denouncing me as a 4^th grader with horrible taste in costumes? So I did what I had to do. I donned the dreaded decoration once more, and took my walk of shame – my plastic pumpkin pail in one hand, my pride in the other. We walked for blocks, my sister, my mom and I. Every look from the candy patrons we approached seemed to pity, persecute, or propagate the idea that I was a sad little man in a sad little box. The only consolation was that, despite their looks, they did not withhold any sweet delectables from my bucket. So I kept my head down, let my sister do the talking, and collected my bounty.

At the end of the night, I had survived, despite my fears and resignation. I ran into a few classmates, who may have thought nefarious things about my costume, but dared not say anything with our parents present. In the end, I made it home with my candy and my pride. I ate my fill, got ready for bed, and lived to see an new day. And from what I remember, there was little jeering the following day at school.

I can only hope that I am the only one who remembers what I wore that Halloween. Lord knows I've worn worse in recent years. But at least those costumes were bad on purpose.

On the Greyhound

Note: This is a weekly element of the MUSINGS where I share music I've been working on, as well as other original works or interpretations by musicians who submit things to me at chris.walljasper@gmail.com. 

The purpose of this segment is to get feedback from viewers on the work that is presented. Please offer respectful ideas and/or criticism, with the intention of improving the music presented. I hope you enjoy.

I was talking to my friend Brian earlier this summer, and he told me this story about two brothers who owned a grocery store in his hometown in central Illinois. It was a locally owned grocery, the type you don't see around much any more. The store wasn't a warehouse of pristine florescent light and overwhelming options. It was dimly lit, sparse, and dingy. Scores of students had worked in this little shop over the years, earning cash to be spent on a sultry Saturday night, put down towards a beat up old car, or tucked away for a college dream. They bagged, checked, swept, and stocked their way to a meager check at the end of each month.

The owners were well known in the community. Not necessarily well respected, but everyone knew the brothers. They were a little eccentric, but nothing that made people leery. They weren't the type of guys you'd see on the City Council, but neither were they considered low life's. The high school guys who worked at the store were privy to a stash of dirty magazines that one owner kept in the back room. It was rumored that one of the owners carried a gun while taking the deposit into the bank.

Then one day, the two brothers got into an argument. They began yelling in the store, stormed outside, where the altercation escalated to physical violence. Some say it was about money, but no one knows for sure. The only thing that is for certain is that at the end of the day, one brother lay dead in the parking lot, gunned down by his own flesh and blood. The rain fell intermittently as the investigators assessed the situation.

The day the incident happened, a friend of ours was on a bus in a near by town. The bus driver received a call and, upon hearing of the tragedy, pulled the vehicle over and began sobbing uncontrollably. The event literally brought this little town to a standstill.

This story has a sepia-toned, reminiscent imagery about it, at least for me. It feels like the small town in which I grew up, where everyone knows everyone's business, and news travels faster than the afternoon papers can report. The scandal, the horror, the foundation shaking magnitude of this event makes everyone question what they've known to be real in their own lives.

So out of that story, a song was born. Brian and I discussed how this story was so human. We could relate to it because we've all been at our wits end with someone close to us. But most of us don't take it to such a drastic level. We curse, we scream, we punch, but do we ever think of actually ending that persons existence? In this song, I attempted to convey the idea that this could have just as easily been any one of us. Who knows what any of us all capable of.

On the Greyhound

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Times are hard for everyman

To each his own doing the best that we can

As for me, I'm just traveling through

finding work and doing the best I can do

Middle America, late July

Hot enough to make the Devil cry

Greyhound bus grinds to a halt

Ain't going no further tonight on the old asphalt

Tensions rise in the July sun

when your 'gainst the wall there's nowhere to run

Behind the counter's more than tobacco and gin

Blood runs thick from your next of kin

Money turns a man's soul black

Jealousy cannot bring it back

One man dead, one man in chains

A family torn 'tween prison and the grave

Sometimes I think about those times

When everything was yours and mine

In the end there's no way to share

and now there is no one. There is no where.

Tensions rise in the July sun

when your 'gainst the wall there's nowhere to run

Behind the counter's more than tobacco and gin

Blood runs thick from your next of kin

On the greyhound no one knows your name

fade away everyone's the same

If you have any ideas or comments, please post below. Feel free to offer suggestions on style, technique, recording methods, instrumentation, lyrics, or anything else. Again, the purpose of these entries is to spur dialogue that will improve the level of this piece.

It's October, so If you've been working on a piece of music that is morose, sinister, or downright scary, send it to me at chris.walljasper@gmail.com, along with the back story and lyrics and I'll post it. It doesn't have to be polished or well produced, just an original composition or interpretation. I'll be posting one song each week.