Showing posts with label Murder. Show all posts
Showing posts with label Murder. Show all posts

Sunday, October 31, 2010

The Only Thing to Fear...


Annie and I helped pass out candy at a friends house this Halloween. This family has one of the most elaborate front yard horror displays of any I've seen. A graveyard with an unearthed coffin, a butcher shop resplendent with various dismembered appendages, A body hanging from a noose that, when activated, will jerk and kick for its lack of life. It is thorough, to say the least. I agreed to play a part in their terror filled production, along with a few of their other friends. One man was the butcher, carving up arms, legs, and heads. There were people portraying all the horror favorites – Jason, Freddie Krueger, and Michael Myers. I was given a generic goblin mask and told to mill about, jumping out when candy grabbers passed my way. I begrudgingly tried this for a while, but after feeling very awkward and completely not scary, I eventually opted for a more subtle approach. I sat myself down against a hay bale and did my best dummy impersonation. Sitting as motionless as possible, I waited for a group of ghouls to pass my way, then I slowly turned my head, following them with my rubbery eyes. I didn't make a sound. I didn't move any other muscle. I just watched. What I saw was very interesting.

Pre-teens resembling rejects from the Insane Clown Posse came up to the display and shouted,

“Hey! Gimme some candy!”

Sitting next to the candy cauldron, I turned to the terse carnies and clarified,

“Excuse me? What did you just say?”

“You heard me. Gimme some candy man!”

I was having some trouble wrapping my brain around the brazenness of the young mans demand. I pushed him for a more appropriate request,

“I would argue that you've known what to say in this situation since you were old enough to form full sentences. You make the proper request, and I'll give you some candy. That's the way it works.”

The punk shifted his weight, obviously annoyed. He finally muttered those three key words, and I graced him with a packet of sweet tarts and a sucker. As he swaggered down the driveway, I contemplated chucking a jawbreaker at the upstarts head. Maybe the candy would live up to its name. I restrained myself.

A little later, A man bedecked in a white dress shirt, tall socks and a kilt came by with his son who, in a miniature ninja suit, could not have been over two years old. They stopped at the bottom of the driveway and the dad gave his son a nudge toward the house. The karate kid took one look at the labyrinth of horror that lay between him and the candy at the top of the hill and became petrified. At first, he simply turned and began to move on to the next house. When his father insisted he make this trek, alone, he began a more adamant denial. As he begged his dad to let him pass this house by, the father finally proposed a compromise – they would go up together. The virile Scotsman took his sons hand and began the ascent. But the son was not interested, even with his father at his side. He dug his heels into the driveway and began wailing his disapproval. That is when I grabbed some candy and started down the driveway. My intent was to give this poor child the candy he deserved after all the trepidation he was experiencing. As I approached, his face turned from discomfort to sheer terror. Realizing my misstep, I quickly removed my mask and crouched down to assure him that there was nothing for him to fear. I gave him the chocolate peace offering and bid the nervous ninja farewell.

A while later, a mother and her daughter came by. The girl was dressed as a nondescript witch, and the woman was masquerading as a worn out mother. This child was probably around eight years old, and at the sight of the butcher shop, she was very nervous. When Freddie stepped out of the shadows, she jumped and clung to her mothers leg. But she successfully reached the candy cauldron, treated, and began her way back down the driveway. She was still uneasy as she navigated the frights, but when her mother commented on the scariness of the house, the little girl just turned to her mother and reassured her,

“It's not REAL, Mom!”

After the trick-or-treating was over, we all went inside for an amazing smorgasbord of chili, cornbread, pumpkin seeds, popcorn, and cake. The inside of the house was almost as meticulously decorated as the front yard. Garlands, little Halloween cityscapes, candles, and rubber bats. In the corner was an old witch in a rocking chair which, if you got too close, would start rocking on its own. The witch would cackle, her eyes would glow, and finally her head would lift up from her shoulders. One of our friends' brothers was at the party with his two eighteen month old twins. These two children were incredibly inquisitive, unafraid to talk to any of the other party goers, and as rambunctious as can be. Toward the end of the night, the father decided he should get a picture of the two children on the lap of the hideous animatronic witch. As he sat the little boy on her lap, the child began wailing and squirming for his life. He gave up on his son and attempted to get the little girl into the witches maws. Same result. They quickly retired the photo opportunity and released the children back into the fray of the other kids. Watching this exchange left me with some thoughts.

Are we afraid of goblins and ghouls from inception? Is there something inherently scary about the mask that Michael Myers wears, or the Freddie Krueger ensemble? Why were the twins so afraid of the witch? At less than two years of age, had they been exposed to enough to identify a witch, let alone correlate one with fear? When does a child learn to step back and separate the fiction from the fact, and say,

“It's not REAL, Mom!”

And when is it fair to expect your child to strike out on their own and face their fears? When can we expect a healthy amount of rationale to guide us through life? I would argue that it never fully works for some, afraid to face any amount of uncertainty or risk. And for others, the fear reaction is still dormant, causing uninhibited carousing and risk taking, almost to a fault. I think that the majority of us fall somewhere in between. Hopefully we can help guide the next generations through the labyrinths of their own fears, shaping them into cautious, yet bold individuals.

Thursday, October 28, 2010

The Ballad of Three Chilean Hearts


This song was born out of a story I heard during coverage of the Chilean mining incident earlier this year. Upon hearing of the mine collapse, locals came in droves to hold vigil for their trapped countrymen. Friends, co-workers, children, wives, and even mistresses. That is where the story gets interesting.
Miner Celebrating Rescue
One of the miners had both a bride and a mistress, and the subterranean catastrophe brought them together in a way no one had anticipated. I can only imagine the conversation they must have had while waiting for their shared love to return. That is where the song picks up.


The Ballad of Three Chilean Hearts


I came to work today like any other day
Digging coal to earn my bread, turning dirt into my pay
But then the walls came crashing down
Trapping me a mile under ground
Tell me wife I'm doing fine
Stuck down here in this mine
Send food and send some wine
Until then I'll bide my time

I lay these flowers down for my man underground
Our lady pray for us, bring him home safe and sound
Oh god bring my husband back to me
Back to the surface where he's s'posed to be
Tell my husband that I'm here
Tell him there's nothing to fear
I will hold this vigil dear
I will not leave till he's appeared

My love so soft and sweet again when shall we meet
I miss your loving touch In that soft and sweet retreat
My darling soon I'll be above
Hold on tight and do not fret my dove
The darkness of this cave
The secret love we made
Your scarlet passion of saves
Gives me strength and keeps me brave

I heard the new's today my lovers trapped down there
In mourning I will wait until he's in my care
Who are you waiting for my dear
Why does that picture look familiar
My man's been at your door
Senorita tell me more
although you are a whore
Right now I hate him more

Show me the light of day endlessly I fervent pray
Unite me with the one I love and above ground I'll always stay
Is that the rescue team up there
Tell my flower God will soon answer her prayer
As we ascend this hell
My good fortune will tell
Dios me you've served me well
I avoid the death toll bell

Upon the blinding light here I meet a frightening sight
One I'm wed and one I might on a desperate lust filled night
Never were the twain supposed to meet
Suddenly the cavern seems a sweet retreat
Both of you I can explain
No need to be profane
Oh god they wish me pain
Deliver me just once again

Feel free to share your thoughts, comments, and suggestions. Please realize that this is an extremely rough cut of this piece – an early draft. stay tuned for harmonization, as well as the possible addition of some accordion accompaniment.
 

Tuesday, October 19, 2010

Pistols to Plowshares


I was listening to an excessive amount of William Elliot Whitmore a few weeks back. Whitmore always gets me feeling reminiscent for home and a more agrarian life in southeast Iowa. Now my childhood in Donnellson, Iowa was no where near a country life. Residing in a town of 946, resplendent with baseball fields, a city park, and a public pool, I was seen as a soft city kid. I didn't raise animals, save the cats and dogs we kept as pets. I didn't learn to operate heavy machinery until I was in high school. I didn't hunt, ride four wheelers, or drink Busch Light at the age of 14.

My home town
But compared to the students I met in college from Chicago and St. Louis, or the thespians and artists I work with in Davenport, I am as country as an ear of corn. The handful of years I spent on my grandparents farms has made me a certifiable agricultural specialist in the circles I run. That and a healthy dose of bull shit.


So I was driving home from work, listening to NPR (that's the city boy in me), when I heard a sponsorship PSA for an organization called Plowshares institute. The name is derived from a scripture in the book of Isaiah,

They will beat their swords into plowshares and their spears into pruning hooks. Nation will not take up sword against nation, nor will they train for war anymore.”


As I mulled over the idea of Swords into Plowshares, I attempted to update the metaphor.

Plant the Piece

Bombs into plowshares
Guns into plowshares
Pistols into plowshares

That had a great ring to it. As I rolled the words around my brain, a story began to develop. A Jesse James style tale of misdeed and a fight for survival for a young country boy. A little dramatic, maybe, but perfectly in style with the over-the-top affectations of the early westerns by John Wayne, Gary Cooper, and Errol Flynn. From that story, this song arose. Here it is.




Pistols to Plowshares

I was born in the dust bowl, in the fall of '21
Grew up corn and cattle, my old man, and his shot gun
Saw my pa gunned down in cold blood over debts we could not pay
I took everything that meant anything to my pa and I rode away

Trailed him home that night, on my dads horse with his shot gun
Buried two shots in that bankers back, and in the dead of night I run
15 year old fugitive, I gunned my way cross the midwest
Lookin for some answers, praying for some rest

Now I been running longer than I've been sitting down
looking over my shoulder, so I don't end up in the ground
And all I want is a plot of land, a place to lay my head
Turn these pistols into plowshares, find some peace before I'm dead

I met a girl in Iowa, on the day I turned 16.
Took her out a dancing, I sure did find her keen.
But some ol' rounder cut in on us, he'd seen my face and the word reward
Lit up that ol' dance floor, left my lover on the floor.

Now I been running longer than I've been sitting down
looking over my shoulder, so I don't end up in the ground
And all I want is a plot of land, a place to lay my head
Turn these pistols into plowshares, find some peace before I'm dead

My old man never taught me much before he left this earth
The value of a good mans word, what a hard days work is worth
The only thing he didn't teach is how its bigger to forgive
If he had I wouldn't be here now just struggling to live.

Now I been running longer than I've been sitting down
looking over my shoulder, so I don't end up in the ground
And all I want is a plot of land, a place to lay my head
Turn these pistols into plowshares, find some peace before I'm dead

As always, post any thoughts, comments, additions, etc.


Thanks for listening! See you next week.

Wednesday, October 6, 2010

On the Greyhound

Note: This is a weekly element of the MUSINGS where I share music I've been working on, as well as other original works or interpretations by musicians who submit things to me at chris.walljasper@gmail.com. 

The purpose of this segment is to get feedback from viewers on the work that is presented. Please offer respectful ideas and/or criticism, with the intention of improving the music presented. I hope you enjoy.


I was talking to my friend Brian earlier this summer, and he told me this story about two brothers who owned a grocery store in his hometown in central Illinois. It was a locally owned grocery, the type you don't see around much any more. The store wasn't a warehouse of pristine florescent light and overwhelming options. It was dimly lit, sparse, and dingy. Scores of students had worked in this little shop over the years, earning cash to be spent on a sultry Saturday night, put down towards a beat up old car, or tucked away for a college dream. They bagged, checked, swept, and stocked their way to a meager check at the end of each month.

The owners were well known in the community. Not necessarily well respected, but everyone knew the brothers. They were a little eccentric, but nothing that made people leery. They weren't the type of guys you'd see on the City Council, but neither were they considered low life's. The high school guys who worked at the store were privy to a stash of dirty magazines that one owner kept in the back room. It was rumored that one of the owners carried a gun while taking the deposit into the bank.

Then one day, the two brothers got into an argument. They began yelling in the store, stormed outside, where the altercation escalated to physical violence. Some say it was about money, but no one knows for sure. The only thing that is for certain is that at the end of the day, one brother lay dead in the parking lot, gunned down by his own flesh and blood. The rain fell intermittently as the investigators assessed the situation.

The day the incident happened, a friend of ours was on a bus in a near by town. The bus driver received a call and, upon hearing of the tragedy, pulled the vehicle over and began sobbing uncontrollably. The event literally brought this little town to a standstill.

This story has a sepia-toned, reminiscent imagery about it, at least for me. It feels like the small town in which I grew up, where everyone knows everyone's business, and news travels faster than the afternoon papers can report. The scandal, the horror, the foundation shaking magnitude of this event makes everyone question what they've known to be real in their own lives.

So out of that story, a song was born. Brian and I discussed how this story was so human. We could relate to it because we've all been at our wits end with someone close to us. But most of us don't take it to such a drastic level. We curse, we scream, we punch, but do we ever think of actually ending that persons existence? In this song, I attempted to convey the idea that this could have just as easily been any one of us. Who knows what any of us all capable of.

On the Greyhound
Times are hard for everyman
To each his own doing the best that we can
As for me, I'm just traveling through
finding work and doing the best I can do

Middle America, late July
Hot enough to make the Devil cry
Greyhound bus grinds to a halt
Ain't going no further tonight on the old asphalt

Tensions rise in the July sun
when your 'gainst the wall there's nowhere to run
Behind the counter's more than tobacco and gin
Blood runs thick from your next of kin

Money turns a man's soul black
Jealousy cannot bring it back
One man dead, one man in chains
A family torn 'tween prison and the grave

Sometimes I think about those times
When everything was yours and mine
In the end there's no way to share
and now there is no one. There is no where.

Tensions rise in the July sun
when your 'gainst the wall there's nowhere to run
Behind the counter's more than tobacco and gin
Blood runs thick from your next of kin

On the greyhound no one knows your name
fade away everyone's the same

If you have any ideas or comments, please post below. Feel free to offer suggestions on style, technique, recording methods, instrumentation, lyrics, or anything else. Again, the purpose of these entries is to spur dialogue that will improve the level of this piece.

It's October, so If you've been working on a piece of music that is morose, sinister, or downright scary, send it to me at chris.walljasper@gmail.com, along with the back story and lyrics and I'll post it. It doesn't have to be polished or well produced, just an original composition or interpretation. I'll be posting one song each week.